Join us as we celebrate the Eucharist. The Boy Choristers, Girl Choristers, Lay Vicars and Choral Scholars of the Cathedral Choir will be joined by the Cathedral Chamber Orchestra (conducted by Andrew Millington) to give a liturgical performance of Schubert’s Mass in G.
Mahler's Symphony No. 8, widely known as the Symphony of a Thousand because of the colossal forces employed (large orchestra, off-stage brass, organ, two adult choirs and a children's choir) is coming to Exeter Cathedral for the first time in many years. This performance follows Amadeus Orchestra's and Bournemouth Symphony Chorus' highly successful pairing for a performance of Mahler's second symphony in Exeter in 2013.
Exeter Cathedral Exeter Philharmonic Choir with The Sinfonietta, leader Richard Studt
Conductor: Andrew Millington
Exeter Philharmonic Choir, recently described as “a choir on fine form” will perform Mendelssohn’s great oratorio, Elijah, in the Cathedral on Saturday 16th May under the baton of Andrew Millington. The choir is already relishing the high drama of the work as they start rehearsals.
A hugely popular work, Elijah was effectively the Messiah of its day. Two thousand people attended the...
The choir and orchestra of the Exeter Bach Society, together with soloists, give a liturgical performance of J.S.Bach's Cantata No. 126 Erhalt uns, Herr, bei deinem Wort.
All are welcome to join us at this act of worship.
The choir and orchestra of the Exeter Bach Society, together with soloists, give a liturgical performance of J.S.Bach's Cantata No. 27 "Wer weiß, wie nahe mir mein Ende?"
All are welcome to join us at this act of worship where there is, of course, no charge.
A little known gem, A Cottage on Dartmoor was one of the very last silent films to be made in Britain before the talkies revolutionised cinema. It was directed by Anthony Asquith, who later became known as one of this country’s leading filmmakers, for such features as The Browning Version and The Importance of Being Earnest.
Starring Norah Baring and Ugo Henning, it is an exciting melodrama, a tale of love and revenge set on the bleak landscape of Dartmoor. In the words of one reviewer, it “out-Hitchcocks Hitchock”. It has been restored from materials in the BFI National Archive...
Vaughan Williams' tribute to Tallis calls for a large string orchestra divided into three parts: the full string choir, a single desk from each section and a solo string quartet. The Tallis melody "Why fum'th in fight the Gentiles spite, in fury raging stout?" is one of nine included in the Psalter of 1567 for the first Anglican Archbishop of Canterbury. The theme is heard in its complete form three times and serves as the source for a wonderful miasma of variants and developments in this rich orchestral composition.
Vaughan Williams: Fantasia on a Theme by Thomas Tallis Delius :...
